


Sign in to Granta.com.



Sign in to Granta.com.
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Tommi Parrish is a cartoonist, illustrator and art editor based in Montreal, whose second work and first long-form graphic novel, The Lie and How We Told It, was published in 2017.
More about the author →
‘The script of script production rather followed the script of sex: it was intimate, exciting, boundary-crossing, and left the participants changed.’
Susan Pedersen on paranormal love in the Balfour family.
‘Seven thousand forest fires are currently burning – fires which, under normal circumstances, would never even cross your mind.’
Fiction by Julie Bouchard, translated by Arielle Aaronson.
‘I’ve loved experiencing the page as a map, as something to be wandered across.’
Lee Lai on the function of page and panel in comics.
‘He understands he is a container. For music, for movement.’
An excerpt from Meg Howrey’s novel, set in the world of professional ballet.
Johanna Ekström on memory and assault. Translated from the Swedish by Rachel Willson-Broyles.
Granta magazine is run by the Granta Trust (charity number 1184638)
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.